Post Audio · Score Mixing · Dolby Atmos · London

Post audio for
music films.

Supervising sound editor, music pre-mixer and score mixer. I take music films and screen projects through full post audio, from conform to final Atmos master, in a dedicated 9.2.4 room. A musician doing the post, so the music holds its weight against everything else in the mix.

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BBCNetflixDisney+National GeographicITVSundanceGoogle
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Score mixing

Score mixes across drama, documentary and feature work for BBC, Netflix, Disney+, ITV, National Geographic and Sundance.

The Salt Path (BBC)The Salt PathScore Mixer · BBC
Arctic Ascent with Alex HonnoldArctic AscentScore Mixer · Disney+
Trigger PointTrigger PointScore Mixer · ITV
The Lake (Appian Way)The LakeScore Mixer · Appian Way
Robbie Williams (Netflix)Robbie WilliamsScore Mixer · Netflix
Mourinho (Netflix)MourinhoScore Mixer · Netflix
The Long HaulThe Long HaulScore Mixer · Braintrust
Blue JeanBlue JeanScore Mixer · BBC Film
WOLF (BBC)WOLFScore Mixer · BBC
PaybackPaybackScore Mixer · ITV
Nine Bodies in a Mexican Morgue (MGM+)Nine BodiesScore Mixer and Additional Music · MGM+
The Lady (BritBox)The LadyScore Mixer · BritBox
Traces (BBC)TracesTitle Sequence · BBC
Scandalous: Phone Hacking on Trial (BBC)ScandalousTheme Mix · BBC
I Am The PrizeI Am The PrizeScore Mixer
LoboLoboScore Mixer
Cashing OutCashing OutScore Mixer
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Post audio

Full post audio on music films and screen projects: supervising sound edit, music pre-mix, re-recording and Atmos delivery.

Spinal Tap: The Final FinaleSupervising Sound Editor & Music Pre-MixerVertigo Live · Forthcoming
Patent the SunFull Audio PostShort Film · Forthcoming
Spurs × SamaritansFull Audio PostTottenham Hotspur
Michelob ULTRAFull Audio PostFIFA FWC26
Google PixelFull Audio PostGoogle
Supervising

Sound Editorial

Running the post audio from conform through to delivery, across dialogue, effects and music, with the schedule and deliverables managed end to end.

Music pre-mix

Performance & Score

Concert and performance material prepared and balanced for the dub, so the music arrives at the stage already sitting right.

Immersive

Dolby Atmos

Mixed and delivered in a calibrated 9.2.4 room, with binaural, 7.1, 5.1 and stereo folds built to platform spec.

Catalogue

Remaster & Upmix

Archive concert films and performance catalogue brought up to current delivery standards, including Atmos upmixing for streaming.

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The room

A dedicated 9.2.4 immersive room built for music, not retrofitted from a tracking space. A calibrated full immersive setup means what I hear is what lands on the platform, whether the master is a stereo fold or a full Atmos render.

Coming up through Hans Zimmer's Remote Control Productions, then years of scoring and record production, I came to post from the music side. On a music film that matters: the performance is the picture, and it has to hold its weight without losing the detail that makes it worth filming.

MONITORING
9.2.4 PMC · DMAX Audio PH61

CONVERSION
RME

DAWS
Pro Tools & Logic

DELIVERY
Stereo · 5.1 · 7.1 · Dolby Atmos · Binaural

WORKFLOW
AAF conform · Stems & M&E · R128 & platform spec

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Listen

Recent films delivered as full audio post.

Spurs × SamaritansBrand · Audio post
Michelob ULTRA · Step Into SuperiorBrand · Audio post
Google PixelBrand · Audio post
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Let's make something.

Mix & production enquiries

Olly Shelton

Rates, availability, deliverables and anything hands-on about the mix or production itself.

ollysheltonmusic@gmail.com
Listen

Mixes on Spotify

A playlist of records I have mixed, produced and played on.

Open the playlist